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This is a review of the Four's albumn "Fallout" from the Wall of Sound website.
The Mayfield Four
Fallout
Label: Epic
Genre: Alternative
File Under: Honest and powerful debuts
Rating: 75
"If I had a drink I'd drink it/ If I
had a drug I'd take it," sings Myles Kennedy on
"12/31" a track off the Mayfield Four's rather
difficult, but often rewarding debut, Fallout.
Kennedy possesses extraordinary vocal power for a
modern rocker, similar to Soundgarden's Chris
Cornell, only without the operatic range, or Jeff
Buckley, without the arty pretense. (He even
tackles Marvin Gaye's "Inner City Blues" to close
the record, with unexpected success.) And given
that the Mayfield Four is a band full of his
childhood friends, Kennedy owns Fallout, with his
dominant voice, his turbulent thoughts, and his
tactile guitar playing.
The title track is driven by Pearl Jam-esque
propulsion, as is "Shuddershell," a rather thick
and abstract rocker with which to open an album.
"Suckerpunch" is the most immediate track on
Fallout and the one you'll end up singing, but
it's not without its own melodic subtleties. On
the more overtly introspective side, "Don't Walk
Away" builds from a whisper to a frustrated moan,
punctuated by an offbeat guitar solo, and "Big
Verb" has some lush, acoustic moments before
succumbing to bigger, slightly dumber noise.
With its vague and buried hooks and overly
emotive bandleader, it might take a while for
Fallout to take hold. But before you throw your
hands up and file it away, give the Mayfield Four
a chance to cast their unusually moving spell.
After all, isn't there room for at least one
complex band among the ear-candy purveyors that
make up most of alternative rock's recent
arrivals? - Bob Gulla
WALL OF SOUND:
Copyright )2000. Disney Enterprises, Inc.
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